| PREMA MURTHY |
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| EDUCATION |
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| 2002 MFA -
Goldsmith's College, London |
| 1995 BA - Art History,
University of Texas, Austin |
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| SOLO EXHIBITIONS
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| 2010 |
BREAKING THE GRID, Saltworks Gallery, Atlanta. |
| 2008 |
ORGANIZING ENERGY, Tamarind Art Gallery, NY. |
| 2007 |
FUZZY LOGIC. PS1/MOMA Contemporary Art Center, New York. Curated by Alanna Heiss. |
| 2005 |
DeSTRUCTURES, Saltworks Gallery, Atlanta. |
| 2004 |
SPACE INVADERS, The Contempary Art Center, Atlanta. |
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| GROUP EXHIBITIONS
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| 2011 |
AMORPHOUS DREAMS. Micaela Projects/Bekris Gallery, San Francisco. |
| 2010 |
WINTER SOLSTICE PERFORMANCE. Allan Nederpelt Gallery, Brooklyn. |
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SCOPE BASEL. Micaela Gallery, San Francisco. |
| 2009 |
SCOPE MIAMI. Micaela Gallery, San Francisco. |
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WINTER SALON. Micaela Gallery, San Francisco. |
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BREAKING SPACE. Delavski Dom Trbovlje, University of Ljubljana, Slovenia. |
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ART IN THE GLOBAL SOUTH. Joburg Art Fair, Johannesburg, S. Africa. Curated by Tegan Bristow. |
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ALL SMALL. Dalton Gallery, Agnes Scott Gallery, Atlanta. |
| 2008 |
FIREWALKERS. Stux Gallery, New York. |
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EXPLODING THE LOTUS. Art and Culture Center, Hollywood, FL. |
| 2007 |
AFX FESTIVAL. Het Ketelhuis, Amsterdam. |
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BON VOYAGE: RECONSIDERING LANDSCAPE. Threshold Gallery, Perth, Scotland. Curated by Iliyana Nedkova. |
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BORDERLINE Video Festival. Platform Gallery, Beijing, China. |
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FRESH NY. Threshold Art Gallery, Perth, Scotland. Curated by Anne Barlow. |
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SOUTH BRONX CONTEMPORARY: THEN & NOW. Longwood Art Gallery, Bronx, NY. |
| 2006 |
FEMINISMS IN THE ELECTRONIC LANDSCAPE. Espai d'Art Contemporani de Castello, Castellon, Spain. |
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TURNING BACK THE LENS. Georgia State University Museum of Art, Athen, GA. |
| 2005 |
FILE.
ELECTRONIC LANGUAGE INT'L FESTIVAL. SESI Art Gallery, Sao Paulo. |
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RHIZOME
ARTBASE 101. New Museum of Contemporary Art, New York. |
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VIOLENCE
WITHOUT BODIES. Reina Sofia Museum, Madrid. |
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FATAL
LOVE: SOUTH ASIAN AMERICAN ART NOW. Queens Museum, New York. |
| 2004 |
T(HERE).
India Habitat Centre. New Delhi. |
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A
PLACE CALLED HOME. NSA Gallery, Durban; The National Gallery,
Johannesburg. |
| 2003 |
ONLY
SKIN DEEP. The International Center for Photography, New York. |
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PREMIER.
450 Hudson Street in conjunction with The Armory Show, New York. |
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ATLANTA
BIENNIAL. The Contemporary Art Center, Atlanta. |
| 2002 |
BLOOMBERG
NEW CONTEMPORARIES. Shortlisted. The Barbican, London. |
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RACE
AND DIGITAL SPACE. MIT List Center of Visual Art, Cambridge;
The Studio Museum in Harlem, NYC; Spelman College Museum of
Fine Arts, Atlanta. |
| 2001 |
NET.EPHEMERA.
Chapman Gallery, Manchester; Project Arts Center, Dublin; Moving
Image Gallery, New York. |
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CROSSING
THE LINE. Queens Museum, New York. |
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DOUBLE
LIFE. Generali Foundation, Vienna. |
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FAKESHOP
2001-1997: Installations/events. Fakeshop Warehouse, Brooklyn. |
| 2000 |
WHITNEY
BIENNIAL. The Whitney Museum, New York (w/ Fakeshop). |
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HUHB.
Eyebeam's Museum for Art and Technology, New York (w/ Fakeshop). |
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SIGGRAPH
2000. SIGGRAPH Art Gallery. New Orleans (w/ Fakeshop). |
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UN(SUITABLE)
GIRLS. Paisley Gallery, New York. |
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LET'S
ENTERTAIN. Walker Art Center, Minneapolis. |
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SINGLE-MIND
PROGRAMMING. Gavin Brown Gallery, New York (w/ Fakeshop). |
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| GRANTS/FELLOWSHIPS |
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| 2004 |
Visual
Artists Grant, Atlanta Bureau of Cultural Affairs |
| 2003 |
Finishing
Fund Grant, Experimental Television Center, New York. |
| 2002 |
Commission,
The Greenwall Foundation, New York, and Turbulence.org. |
| 1999 |
Creative
Capital Foundation Grant, New York. |
| 1997 |
New
York Foundation for the Arts Fellowship for Digital Art. |
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| RESIDENCIES |
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| 2004 |
GAEA
Foundation, Provincetown. |
| 2003 |
Wesley
Center for New Media, Georgia Institute of Technology, Atlanta. |
| 2000 |
CICV
Pierre Schaeffer, Belfort, France. |
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Lower
Manhattan Cultural Council, New York. |
| 1999 |
Harvestworks
Digital Media Space, New York. |
| 1998 |
Time's
Up Organization, Linz, Austria. |
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| ARTIST
TALKS/CONFERENCES |
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| 2011 |
Panelist. “Feminism and New Media: Hot or Not?” CAA, Hunter College, NY. |
| 2004 |
Panelist.
“Power and Representation in a Media-Saturated Age.”
Scholar and Feminist Conference, Barnard College. |
| 2003 |
Wesley
Center for New Media, Georgia Institute of Technology, Atlanta. |
| 2001 |
Jindal
Arts Center, Mumbai. |
| 2000 |
Sony
Wonderlab, New York. |
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“Digital
Happy Hour,” The Kitchen, New York. |
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New
School for Social Research, New York. |
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Panelist.
“Net.congestion: Bandwidth Aesthetics.” First International
Conference for Streaming Media, Amsterdam. |
| 1998 |
Intermedia
Department, University of Iowa. |
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“Zenatech:
Talks by Women in Art & Technology,” AIR Gallery,
New York. |
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| PUBLICATIONS |
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Murthy,
Prema. “Ito Ai Panaginip…(this is a dream not of
a common language).” Cyberfeminism: Next Protocols. Eds.
Verena Kuni, Claudia Reiche, Yvonne Volkart. Brooklyn: Autonomedia,
October 2004.
----. “Experiments with Prema Murthy” (with lab
reports). Closing the Loop. Ed. T.H.H. Boykett, and J.A. Merit.
Linz, Austria: Time’s Up, 1999.
----. “Centerfold” (images). Time Capsule: A Concise
Encyclopedia of Women Artists, Performers, and Writers. Ed.
Robin Kahn. New York: Creative Time and S.O.S. International,
1995.
----. “Saints” (images). Promotional Copy. Ed. Robin
Kahn. New York: Mimi Somerby, S.O.S. International, and BRAT,
1993. |
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